Tuesday, May 18, 2010

An American Werewolf in London


I'm no connoisseur of werewolf movies. In fact I believe this may be the only werewolf movie I've ever seen. It seems to me that this sub-genre of monster movies isn't generally that well received, seeing as the only other one I've heard of is The Howling.

I suppose Teen Wolf counts but that isn't really a horror movie.

An American Werewolf in London works on several levels. Obviously, it works well as a body-horror movie. The scene where we witness the transformation is pretty difficult to watch. Being a werewolf sounds cool until you realize that the sudden rearrangement of your bones and organs is going to be excruciatingly painful.

On the other hand, this is also a supreme example of a dark-comedy. An American Werewolf in London was directed by John Landis, who you may remember from the classic, Animal House. While certainly not a pure comedy, there is a good deal of wacky stuff that you can pick up on in the midst of the chaos, and similar to Animal House, this is a movie about the experience of young, college-aged adults in a world that is new to them. For this reason, An American Werewolf in London is a classic movie.

Sounds like a good place for a drink

At the beginning of the film we are following our protagonist, David, and his longtime friend, Jack, as they backpack through the northern England countryside. It's safe to assume that these two are freshly graduated from either high school or college, enjoying a summer abroad before real life picks up. They are young. Not children but not yet adults. They lack the responsibilities and the experience that comes with being an adult, and in their youthful foolishness, they ignore the advice given to them to stick to the road, realizing their blunder far too late. For these two young men, even when the shit hits the fan it appears that the seriousness of their situation doesn't dawn on them. They continue to kid each other even as they are aware that they are being hunted by something in the night.

And then they are attacked. Jack is killed, David is wounded and the werewolf is killed by the local townsfolk. This werewolf attack marks the beginning of what becomes a coming of age story in which transforming into a werewolf acts as a metaphor for the transformation into adulthood.

Let's look at what happens after the attack. I'll stick to the relevant bits.

In the hospital, David flirts, and falls in love, with his nurse, Alex. He goes to stay at her flat once he has been discharged and they make love. David becomes a man, in the sexual sense. Certainly, I may be making a bit of an assumption that David hadn't already reached this point in his life, however, it's never stated whether or not this is the case and it's sort of implied early on that Jack may be a virgin and since Jack and David are such good friends I am assuming they are practically interchangeable at the beginning.

After being left alone in the apartment, we witness the most iconic moment of the film. The transformation.

Oh god. It's happening again!

As I said earlier, this scene is NOT for the squeamish. This may not be the first time that the werewolf transformation was presented in such a manner but it was certainly the most affective. I'll just say, they earned that Oscar for best makeup. In fact, they created the category because of this movie. So, anyways, David endures an excruciating transformation into a werewolf (metaphorically, he becomes an adult) and goes out in the night and brutally murders and eats six people. Likely for the first time in his life, David's actions have real and lasting consequences.

In the end, David takes responsibility for what he is and what he has done and dies so that his victims can rest in peace. Some people may also think this is a bit of a stretch but I like to think that he purposefully gets himself cornered, and, at the very least, knowingly moves to attack Alex as she is pleading with him so that the police kill him instead of possibly trying to capture him.

This film stands out as a great darkly humorous horror film, but also as a story about being forced to grow up. Great fun to watch but with further meaning underneath the surface, and I recommend everyone see it at some point.

Tuesday, May 11, 2010

Kick Ass


Out of boredom the other night I caught a late showing of Kick Ass. Based on previews and what people were saying it looked like it would be pretty good, and while parts of the movie were certainly entertaining I thought overall it was a slight let down. The premise behind the movie, for those of you not in the know, is what would happen if superheros existed in the real world.

The answer is gratuitous violence.

One of the people I saw it with really didn't like the movie at all. He complained that the film really couldn't decide whether it was going to be a comedy or a serious movie. I think this is a valid criticism. My biggest problem with the movie was the third act where there was a lot of potential for exploration of some pretty big themes involving justice and childhood innocence which was thrown out in favor of a higher body count. I actually thought the movie was really good during the first two acts otherwise.

Despite the disappointing end, there were some redeeming qualities. I was quite surprised at Nicholas Cage's performance. As the vigilante ex-cop, Cage was easily the best part of the movie. He was masterful as the caped hero, Big Daddy, living up to the film title whilst channelinng the spirit of Adam West from the old Batman television series.

Oh, child...

Ultimately, Kick Ass is a movie that loses focus towards the climax but overall was a fun flick. It relies a little too much on getting a laugh by having an eleven year old girl be incredibly vulgar and violently murder anything in her path (it's funny because she's so young. Get it!?) but as far as child actors go, I thought Chloe Moretz did a good job as Hit Girl, Big Daddy's daughter. For those of you who haven't seen it yet, I'd recommend waiting for it to be on Netflix. Not worth $10 to see it in the theater, but worth seeing I'd say.